Monthly Archives: January 2023

The Sensitive Plant

Percy Bysshe Shelley

PART 1.

A Sensitive Plant in a garden grew,

And the young winds fed it with silver dew,

And it opened its fan-like leaves to the light.

And closed them beneath the kisses of Night.

.

And the Spring arose on the garden fair,

Like the Spirit of Love felt everywhere;

And each flower and herb on Earth’s dark breast

Rose from the dreams of its wintry rest.

.

But none ever trembled and panted with bliss

In the garden, the field, or the wilderness,

Like a doe in the noontide with love’s sweet want,

As the companionless Sensitive Plant.

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The snowdrop, and then the violet,

Arose from the ground with warm rain wet,

And their breath was mixed with fresh odour, sent

From the turf, like the voice and the instrument.

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Then the pied wind-flowers and the tulip tall,

And narcissi, the fairest among them all,

Who gaze on their eyes in the stream’s recess,

Till they die of their own dear loveliness;

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And the Naiad-like lily of the vale,

Whom youth makes so fair and passion so pale

That the light of its tremulous bells is seen

Through their pavilions of tender green;

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And the hyacinth purple, and white, and blue,

Which flung from its bells a sweet peal anew

Of music so delicate, soft, and intense,

It was felt like an odour within the sense;

.

And the rose like a nymph to the bath addressed,

Which unveiled the depth of her glowing breast,

Till, fold after fold, to the fainting air

The soul of her beauty and love lay bare:

.

And the wand-like lily, which lifted up,

As a Maenad, its moonlight-coloured cup,

Till the fiery star, which is its eye,

Gazed through clear dew on the tender sky;
.

And the jessamine faint, and the sweet tuberose,

The sweetest flower for scent that blows;

And all rare blossoms from every clime

Grew in that garden in perfect prime.

.

And on the stream whose inconstant bosom

Was pranked, under boughs of embowering blossom,

With golden and green light, slanting through

Their heaven of many a tangled hue,

.

Broad water-lilies lay tremulously,

And starry river-buds glimmered by,

And around them the soft stream did glide and dance

With a motion of sweet sound and radiance.

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And the sinuous paths of lawn and of moss,

Which led through the garden along and across,

Some open at once to the sun and the breeze,

Some lost among bowers of blossoming trees,

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Were all paved with daisies and delicate bells

As fair as the fabulous asphodels,

And flow’rets which, drooping as day drooped too,

Fell into pavilions, white, purple, and blue,

To roof the glow-worm from the evening dew.

.

And from this undefiled Paradise

The flowers (as an infant’s awakening eyes

Smile on its mother, whose singing sweet

Can first lull, and at last must awaken it),

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When Heaven’s blithe winds had unfolded them,

As mine-lamps enkindle a hidden gem,

Shone smiling to Heaven, and every one

Shared joy in the light of the gentle sun;

.

For each one was interpenetrated

With the light and the odour its neighbour shed,

Like young lovers whom youth and love make dear

Wrapped and filled by their mutual atmosphere.

.

But the Sensitive Plant which could give small fruit

Of the love which it felt from the leaf to the root,

Received more than all, it loved more than ever,

Where none wanted but it, could belong to the giver,—

.

For the Sensitive Plant has no bright flower;

Radiance and odour are not its dower;

It loves, even like Love, its deep heart is full,

It desires what it has not, the Beautiful!

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The light winds which from unsustaining wings

Shed the music of many murmurings;

The beams which dart from many a star

Of the flowers whose hues they bear afar;

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The plumed insects swift and free,

Like golden boats on a sunny sea,

Laden with light and odour, which pass

Over the gleam of the living grass;

.

The unseen clouds of the dew, which lie

Like fire in the flowers till the sun rides high,

Then wander like spirits among the spheres,

Each cloud faint with the fragrance it bears;

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The quivering vapours of dim noontide,

Which like a sea o’er the warm earth glide,

In which every sound, and odour, and beam,

Move, as reeds in a single stream;

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Each and all like ministering angels were

For the Sensitive Plant sweet joy to bear,

Whilst the lagging hours of the day went by

Like windless clouds o’er a tender sky.

.

And when evening descended from Heaven above,

And the Earth was all rest, and the air was all love,

And delight, though less bright, was far more deep,

And the day’s veil fell from the world of sleep,

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And the beasts, and the birds, and the insects were drowned

In an ocean of dreams without a sound;

Whose waves never mark, though they ever impress

The light sand which paves it, consciousness;

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(Only overhead the sweet nightingale

Ever sang more sweet as the day might fail,

And snatches of its Elysian chant

Were mixed with the dreams of the Sensitive Plant);—

.

The Sensitive Plant was the earliest

Upgathered into the bosom of rest;

A sweet child weary of its delight,

The feeblest and yet the favourite,

Cradled within the embrace of Night.

.

PART 2.

There was a Power in this sweet place,

An Eve in this Eden; a ruling Grace

Which to the flowers, did they waken or dream,

Was as God is to the starry scheme.

.

A Lady, the wonder of her kind,

Whose form was upborne by a lovely mind

Which, dilating, had moulded her mien and motion

Like a sea-flower unfolded beneath the ocean,

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Tended the garden from morn to even:

And the meteors of that sublunar Heaven,

Like the lamps of the air when Night walks forth,

Laughed round her footsteps up from the Earth!

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She had no companion of mortal race,

But her tremulous breath and her flushing face

Told, whilst the morn kissed the sleep from her eyes,

That her dreams were less slumber than Paradise:

.

As if some bright Spirit for her sweet sake

Had deserted Heaven while the stars were awake,

As if yet around her he lingering were,

Though the veil of daylight concealed him from her.

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Her step seemed to pity the grass it pressed;

You might hear by the heaving of her breast,

That the coming and going of the wind

Brought pleasure there and left passion behind.

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And wherever her aery footstep trod,

Her trailing hair from the grassy sod

Erased its light vestige, with shadowy sweep,

Like a sunny storm o’er the dark green deep.

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I doubt not the flowers of that garden sweet

Rejoiced in the sound of her gentle feet;

I doubt not they felt the spirit that came

From her glowing fingers through all their frame.

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She sprinkled bright water from the stream

On those that were faint with the sunny beam;

And out of the cups of the heavy flowers

She emptied the rain of the thunder-showers.

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She lifted their heads with her tender hands,

And sustained them with rods and osier-bands;

If the flowers had been her own infants, she

Could never have nursed them more tenderly.

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And all killing insects and gnawing worms,

And things of obscene and unlovely forms,

She bore, in a basket of Indian woof,

Into the rough woods far aloof,—

.

In a basket, of grasses and wild-flowers full,

The freshest her gentle hands could pull

For the poor banished insects, whose intent,

Although they did ill, was innocent.

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But the bee and the beamlike ephemeris

Whose path is the lightning’s, and soft moths that kiss

The sweet lips of the flowers, and harm not, did she

Make her attendant angels be.

.

And many an antenatal tomb,

Where butterflies dream of the life to come,

She left clinging round the smooth and dark

Edge of the odorous cedar bark.

.

This fairest creature from earliest Spring

Thus moved through the garden ministering

Mi the sweet season of Summertide,

And ere the first leaf looked brown—she died!

.

PART 3.

.

Three days the flowers of the garden fair,

Like stars when the moon is awakened, were,

Or the waves of Baiae, ere luminous

She floats up through the smoke of Vesuvius.

.

And on the fourth, the Sensitive Plant

Felt the sound of the funeral chant,

And the steps of the bearers, heavy and slow,

And the sobs of the mourners, deep and low;

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The weary sound and the heavy breath,

And the silent motions of passing death,

And the smell, cold, oppressive, and dank,

Sent through the pores of the coffin-plank;

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The dark grass, and the flowers among the grass,

Were bright with tears as the crowd did pass;

From their sighs the wind caught a mournful tone,

And sate in the pines, and gave groan for groan.

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The garden, once fair, became cold and foul,

Like the corpse of her who had been its soul,

Which at first was lovely as if in sleep,

Then slowly changed, till it grew a heap

To make men tremble who never weep.

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Swift Summer into the Autumn flowed,

And frost in the mist of the morning rode,

Though the noonday sun looked clear and bright,

Mocking the spoil of the secret night.

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The rose-leaves, like flakes of crimson snow,

Paved the turf and the moss below.

The lilies were drooping, and white, and wan,

Like the head and the skin of a dying man.

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And Indian plants, of scent and hue

The sweetest that ever were fed on dew,

Leaf by leaf, day after day,

Were massed into the common clay.

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And the leaves, brown, yellow, and gray, and red,

And white with the whiteness of what is dead,

Like troops of ghosts on the dry wind passed;

Their whistling noise made the birds aghast.

.

And the gusty winds waked the winged seeds,

Out of their birthplace of ugly weeds,

Till they clung round many a sweet flower’s stem,

Which rotted into the earth with them.

.

The water-blooms under the rivulet

Fell from the stalks on which they were set;

And the eddies drove them here and there,

As the winds did those of the upper air.

.

Then the rain came down, and the broken stalks

Were bent and tangled across the walks;

And the leafless network of parasite bowers

Massed into ruin; and all sweet flowers.

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Between the time of the wind and the snow

All loathliest weeds began to grow,

Whose coarse leaves were splashed with many a speck,

Like the water-snake’s belly and the toad’s back.

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And thistles, and nettles, and darnels rank,

And the dock, and henbane, and hemlock dank,

Stretched out its long and hollow shank,

And stifled the air till the dead wind stank.

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And plants, at whose names the verse feels loath,

Filled the place with a monstrous undergrowth,

Prickly, and pulpous, and blistering, and blue,

Livid, and starred with a lurid dew.

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And agarics, and fungi, with mildew and mould

Started like mist from the wet ground cold;

Pale, fleshy, as if the decaying dead

With a spirit of growth had been animated!

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Spawn, weeds, and filth, a leprous scum,

Made the running rivulet thick and dumb,

And at its outlet flags huge as stakes

Dammed it up with roots knotted like water-snakes.

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And hour by hour, when the air was still,

The vapours arose which have strength to kill;

At morn they were seen, at noon they were felt,

At night they were darkness no star could melt.

.

And unctuous meteors from spray to spray

Crept and flitted in broad noonday

Unseen; every branch on which they alit

By a venomous blight was burned and bit.

.

The Sensitive Plant, like one forbid,

Wept, and the tears within each lid

Of its folded leaves, which together grew,

Were changed to a blight of frozen glue.

.

For the leaves soon fell, and the branches soon

By the heavy axe of the blast were hewn;

The sap shrank to the root through every pore

As blood to a heart that will beat no more.

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For Winter came: the wind was his whip:

One choppy finger was on his lip:

He had torn the cataracts from the hills

And they clanked at his girdle like manacles;

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His breath was a chain which without a sound

The earth, and the air, and the water bound;

He came, fiercely driven, in his chariot-throne

By the tenfold blasts of the Arctic zone.

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Then the weeds which were forms of living death

Fled from the frost to the earth beneath.

Their decay and sudden flight from frost

Was but like the vanishing of a ghost!

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And under the roots of the Sensitive Plant

The moles and the dormice died for want:

The birds dropped stiff from the frozen air

And were caught in the branches naked and bare.

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First there came down a thawing rain

And its dull drops froze on the boughs again;

Then there steamed up a freezing dew

Which to the drops of the thaw-rain grew;

.

And a northern whirlwind, wandering about

Like a wolf that had smelt a dead child out,

Shook the boughs thus laden, and heavy, and stiff,

And snapped them off with his rigid griff.

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When Winter had gone and Spring came back

The Sensitive Plant was a leafless wreck;

But the mandrakes, and toadstools, and docks, and darnels,

Rose like the dead from their ruined charnels.

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CONCLUSION.

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Whether the Sensitive Plant, or that

Which within its boughs like a Spirit sat,

Ere its outward form had known decay,

Now felt this change, I cannot say.

.

Whether that Lady’s gentle mind,

No longer with the form combined

Which scattered love, as stars do light,

Found sadness, where it left delight,

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I dare not guess; but in this life

Of error, ignorance, and strife,

Where nothing is, but all things seem,

And we the shadows of the dream,

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It is a modest creed, and yet

Pleasant if one considers it,

To own that death itself must be,

Like all the rest, a mockery.

.

That garden sweet, that lady fair,

And all sweet shapes and odours there,

In truth have never passed away:

’Tis we, ’tis ours, are changed; not they.

.

For love, and beauty, and delight,

There is no death nor change: their might

Exceeds our organs, which endure

No light, being themselves obscure.

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Before The World Was Made

William Butler Yeats  

If I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity’s displayed:
I’m looking for the face I had
Before the world was made.

What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I’d have him love the thing that was
Before the world was made.

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To Hear the Falling World

Jane Hirshfield

From:

Only if I move my arm a certain way,
it comes back.
Or the way the light bends in the trees
this time of year,
so a scrap of sorrow, like a bird, lights on the heart.
I carry this in my body, seed
in an unswept corner, husk-encowled and seeming safe.
But they guard me, these small pains,
from growing sure
of myself and perhaps forgetting.

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The Winding Stair

William Butler Yeats

My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
‘Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

My Self. The consecrates blade upon my knees
Is Sato’s ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady’s dress and round
The wooden scabbard bound and wound
Can, tattered, still protect, faded adorn

My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And intellect is wandering
To this and that and t’other thing,
Deliver from the crime of death and birth.

My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery –
Heart’s purple – and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier’s right
A charter to commit the crime once more.

My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known –
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue’s a stone.

II

My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;

The finished man among his enemies? –
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what’s the good of an escape
If honour find him in the wintry blast?

I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man’s ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.

I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

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The Golden Years

Billy Collins
From:

All I do these drawn-out days

is sit in my kitchen at Pheasant Ridge

where there are no pheasants to be seen

and last time I looked, no ridge.

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I could drive over to Quail Falls

and spend the day there playing bridge,

but the lack of a falls and the absence of quail

would only remind me of Pheasant Ridge.

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I know a widow at Fox Run

and another with a condo at Smokey Ledge.

One of them smokes, and neither can run,

so I’ll stick to the pledge I made to Midge.

.

Who frightened the fox and bulldozed the ledge?

I ask in my kitchen at Pheasant Ridge.

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The Cruel Falcon

Robinson Jeffers

Contemplation would make a good life, keep it strict, only
The eyes of a desert skull drinking the sun,
Too intense for flesh, lonely
Exultations of white bone;
Pure action would make a good life, let it be sharp-
Set between the throat and the knife.
A man who knows death by heart
Is the man for that life.
In pleasant peace and security
How suddenly the soul in a man begins to die.
He shall look up above the stalled oxen
Envying the cruel falcon,
And dig under the straw for a stone
To bruise himself on.

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While You Are Talking

Micheal O’Siadhail

While you are talking, though I seem all ears,
Forgive me if you notice a stray see-through
Look; on tiptoe behind the eyes’ frontiers
I am spying, wondering at this mobile you.
Sometimes nurturer, praise-giver to the male,
Caresser of failures, mother earth, breakwater
To my vessel, suddenly you’ll appear frail –
In my arms I’ll cradle you like a daughter.
Now soul-pilot and I confess redemptress,
Turner of new leaves, reshaper of a history;
Then the spirit turns flesh – playful temptress
I untie again ribbons of your mystery.
You shift and travel as only a lover can;
One woman and all things to this one man.

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IT IS ONE OF THOSE FACES

R. S. Thomas

It is one of those faces
beginning to disappear
as though life were at work
with its eraser. It drizzles
at the window through which
I regard it. As one realising
its peril, it accosts me
in silence at every corner
of my indifference, appealing
to me to save it gratuitously
from extinction. There was a moment
it became dear to me, a skull
brushed by a smile as the sun
brushes a stone through ravelled
passages in the hill mist.
Must I single it with a name?
I am coming to believe,
as I age, so faithful its attendance
upon the eye’s business, it is myself
I court; that this face, vague
but compelling, is a replica
of my own face hungry for meaning
at life’s pane, but blearing it
over as much with my shortness
of faith as of breath.

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One foot in Eden

Edwin Muir
From:

One foot in Eden still, I stand

And look across the other land.

The world’s great day is growing late,

Yet strange these fields that we have planted

So long with crops of love and hate.

Time’s handiworks by time are haunted,

And nothing now can separate

The corn and tares compactly grown.

The armorial weed in stillness bound

About the stalk; these are our own.

Evil and good stand thick around

In the fields of charity and sin

Where we shall lead our harvest in.

.

Yet still from Eden springs the root

As clean as on the starting day.

Time takes the foliage and the fruit

And burns the archetypal leaf

To shapes of terror and of grief

Scattered along the winter way.

But famished field and blackened tree

Bear flowers in Eden never known.

Blossoms of grief and charity

Bloom in these darkened fields alone.

What had Eden ever to say

Of hope and faith and pity and love

Until was buried all its day

And memory found its treasure trove?

Strange blessings never in Paradise

Fall from these beclouded skies.

Listen to “One Foot in Eden” read and discussed by Malcolm Guite

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Abstract Vision Collected Poems by Kathleen Raine

By Philip Larkin from The Guardian 16 August 1956

For nearly twenty years Miss Kathleen Raine has sought to express in her poetry abstract themes fundamental to man and his position in the universe -the unity of creation, the conflict of spirit and selfhood – and the publication of her Collected Poems demonstrates how far the height and intensity of this purpose set her apart from her contemporaries. I can think of few recent poems as free from jargon, vulgarity, and smartness as those in this book. Her work lacks every quality traditionally associated with the title “poetess”: there is no domesticity, no cosiness, and “love poems of a personal nature,” the introduction tells us, “have also gone.” What remains is the vatic and the universal. The visible world exists, but only as

Upheld by being that I cannot know
In other form than stars and stones and trees.

And everything she considers is pressed into its place in the eternal pattern:

The sweet-eyed, unregarding beasts
Waking and sleeping wear the natural grace
The innocent order of the stars and tides
An impulse in the bloodstream circulates.

There is no doubt that the quality of these preoccupations and the pure underivative language in which they are expressed have resulted in some very fine poems (“Shells,” “The Invisible Spectrum,” “Air”) which prove Miss Raine to be one of the most serious living English poets – serious, that is, in the sense of utter devotion to her vision.

But I think it is arguable that she has not so far written the poems she will be known by. Perhaps the poetry of abstract vision carries a high failure-rate simply because the reader can come so little of the way to meet it: certainly I find Miss Raine’s impact greatest when she writes most simply (as in the haunting group of “spells,” whose rhythms recall old Celtic folk-poetry), and it may be that the way forward for a talent of this order lies, paradoxically, in a cruder, more strongly marked mode of expression. But this collection makes it clear that the distance Miss Raine has already travelled is sufficient to earn the honour and gratitude of her age.

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