Tag Archives: News

TODAY:  In 1595

TodayTODAY:  In 1595, Shakespeare’s Richard II is possibly acted at a private performance at the Canon Row house of Sir Edward Hoby, with Sir Robert Cecil attending.

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Be sure to see “Duty Calls” this Friday – a staged reading of a play by Anne Fletcher, directed by John Wright

Duty Calls 2017.indd

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November 8, 2017 · 7:29 am

October-November

October-NovemberHart Crane

Indian-summer-sun
With crimson feathers whips away the mists,—
Dives through the filter of trellises
And gilds the silver on the blotched arbor-seats.
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Now gold and purple scintillate
On trees that seem dancing
In delirium;
Then the moon
In a mad orange flare
Floods the grape-hung night.
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Please check the SCHEDULE PAGE for our revised
program for 2018. As always, this schedule remains
flexible, and may be modified according to consensus.

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Expanded Topic for October 26th

Because we’ve had a very lean response to repeated requests for submissions for October 26th, we’ve decided to expand the topic to include poems that have inspired music, or vice-versa. Below is an example: “The Lark Ascending” by George Meredith, which encouraged Ralph Vaughan Williams to write a beautiful piece of music with the same name.
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Graeme Hughes has selected this poem as his choice to read on October 26th.
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Lark_Ascending“The Lark Ascending”
by George Meredith

He rises and begins to round,

He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolv’d and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,

Read the complete poem
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Listen to “The Lark Ascending” by George Meredith read by Winston Tharp
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Listen to Hilary Hahn perform “The Lark Ascending” by Ralph Vaughan Williams
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On October 26th please bring your own favourite examples – whether on the original or expanded topic – and, preferably, post them first on the blog via the CONTACT US page, or email it to me directly.
See the SCHEDULE PAGE for submissions to-date.

 

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Today’s Birthday: Robert Bringhurst

Robert BringhurstRobert Bringhurst was born October 16, 1946, in the ghetto of South Central Los Angeles. He was the only child of a migratory family, raised in the mountain and desert country of Alberta, Montana, Utah, Wyoming and British Columbia. He spent ten years as an itinerant undergraduate, studying physics, architecture and linguistics at the Massachusetts Institute of Technology, philosophy and oriental languages at the University of Utah, and comparative literature at Indiana University, which gave him a BA in 1973. He had published two books of poems before entering the writing program at the University of British Columbia, which awarded him an MFA in 1975.
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From 1977 to 1980 he taught writing and English literature at UBC, and for some years after that made his living as a typographer. He has also been poet-in-residence and writer-in-residence at several universities in North America and Europe.
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He has lived in Egypt, Israel, Lebanon, France, Peru, Panama and Japan, as well as the UK, the USA and Canada, and has published translations from Arabic, Greek, French, Italian, Spanish, Navajo and Haida. Since 1985, his linguistic work has concentrated increasingly on Native American languages, especially those of the British Columbia coast.
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Bringhurst is first and foremost a poet, but he has published a substantial quantity of prose, invading the domains of art history, typography, linguistics, classical studies and literary criticism, without the least sign of respect for disciplinary boundaries. His book The Elements of Typographic Style (2nd ed., 1996) is now a standard text in its field. His Black Canoe (2nd ed., 1992) is one of the classics in the field of Native American art history, and The Raven Steals the Light, which he cowrote with Haida artist Bill Reid (reissued in 1996 with a new preface by Claude Lévi-Strauss) is among the most popular books in Canada in the field of Native Studies.

(Source: The Canadian Literature Archive)

See also: Selected Poems by Robert Bringhurst.
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On October 26th, 2017 from 5:00 PM  – 6:30 PM, at the Coach House, Green College, UBC, 6201 Cecil Green Park Road, Vancouver, Robert Bringhurst and his wife, Canadian poet Jan Zwicky, will present THE SHAPE OF THE WORLD: POETRY AND ECOLOGY.  See the EVENTS PAGE for details.

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Bill Evans: “Alone”

By Jan Zwicky

Bill Evans AloneSound that makes night fall around it

Like the glow from a reading lamp.
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Rain on the roof, straight down.

The name of your name

Spoken without another’s.
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Rubato is a hand

You thought indifferent

Laid, briefest of moments,

On your sleeve.
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It walks away, then,

That sound, without looking back.

Lights up a Lucky. Says
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We hadn’t the ghost of a chance, says never

Let me go.
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Listen to the complete Bill Evans album, “Alone”
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Please note that we have tentatively scheduled musically inspired “Ekphrastic” poetry for June 28, 2018.
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On October 26th, 2017 from 5:00 PM  – 6:30 PM, at the Coach House, Green College, UBC, 6201 Cecil Green Park Road, Vancouver, Jan Zwicky and her husband, Canadian poet Robert Bringhurst, will present THE SHAPE OF THE WORLD: POETRY AND ECOLOGY.  See the EVENTS PAGE for details.

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Announcing the 2017 American Poets Prizes Winners

Announcing the 2017 AmericanLaunched in 1936, the annual American Poets Prizes are among the most generous prizes for poets in the United States. This year, the Academy of American Poets has given over $200,000 to poets at various stages of their careers. 

See the complete list of winners

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The Invisible Poems Hidden in One of the World’s Oldest Libraries

A new technique is revealing traces of lost languages that have been erased from ancient parchments.
RICHARD GRAY
The Invisible Poems HiddenFor centuries they have gathered dust on the shelves of a library marooned in a rocky patch of Egyptian desert, their secrets lost in time. But now a collection of enigmatic manuscripts, carefully stored behind the walls of a 1,500-year-old monastery on the Sinai Peninsula, are giving up their treasures.

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The library at Saint Catherine’s Monastery is the oldest continually operating library in the world. Among its thousands of ancient parchments are at least 160 palimpsests—manuscripts that bear faint scratches and flecks of ink beneath more recent writing. These illegible marks are the only clues to words that were scraped away by the monastery’s monks between the 8th and 12th centuries to reuse the parchments. Some were written in long-lost languages that have almost entirely vanished from the historical record.
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But now these erased passages are reemerging from the past. In an unlikely collaboration between an Orthodox wing of the Christian faith and cutting-edge science, a small group of international researchers are using specialized imaging techniques that photograph the parchments with different colors of light from multiple angles. This technology allows the researchers to read the original texts for the first time since they were wiped away, revealing lost ancient poems and early religious texts and doubling the known vocabulary of languages that have not been used for more than 1,000 years.
Read the complete article

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Time to Register for our July 27, 2017 Summer Session

reminder-2Poetry lovers, it’s time to register for our summer 2017 session (July 27). Registration is free, of course. You may register in person, via telephone (604-713-1800) or Register online.
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Please take the time to do this, as our free room at the Roundhouse Community Centre depends upon their awareness that we are an active group. So far, only two of our members have registered for the summer session.

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Heathcote Williams, Radical British Poet Who Helped Form Anarchist Nation, Dies at 75

By WILLIAM GRIMESHeathcote WilliamsHeathcote Williams, a poet, playwright, actor, lyricist, painter, sculptor, magician and relentless scourge of the British establishment for half a century, died on Saturday in Oxford. He was 75.
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His daughter Lily Williams said the cause was lung disease.
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Mr. Williams, a radical in the tradition of Blake and Shelley, vented his outrage at royal privilege, private property, environmental degradation and a host of other targets, using every artistic means available.
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He took dead aim at enforced conformity, the stupefying effects of television and the malign intentions of mental health professionals in plays like “AC/DC.”

Read the complete article

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