Eliot’s and Beethoven’s Voices Yoked

By ANTHONY TOMMASINI

a-meeting-of-mindsIn 1931, while listening to a gramophone recording of Beethoven’s String Quartet in A minor (Op. 132), T. S. Eliot wrote a letter to his friend Stephen Spender, the English poet and novelist. Eliot found the Beethoven piece “quite inexhaustible to study,” he wrote.
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“There is a sort of heavenly, or at least more than human, gaiety about some of his later things,” Eliot continued, “which one imagines might come to oneself as the fruits of reconciliation and relief after immense suffering; I should like to get something of that into verse before I die.”
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Eliot did so in “Four Quartets,” his series of four lengthy, connected poems written over six years and first published together in New York in 1943. Among Eliot scholars, it seems, there is debate about how, precisely, this effort was inspired by the Quartet in A minor, one of Beethoven’s astonishing late works.
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Read the complete article
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Listen to the Borodin Quartet play Beethoven’s string quartet, Opus 132 in A minor – the music that inspired T. S. Eliot’s Four Quartets.
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An early reminder that we’ll be reading and discussing T. S. Eliot’s Four Quartets in our February and March sessions. See the SCHEDULE PAGE for details.  Please bring your own favourite excerpts, interpretations and comments for discussion about these challenging poems.

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